I was surfing YouTube the other day and came across quite a few "How To" videos for improv. I found this rather interesting - the idea that you can learn improv from a video. Not something I would recommend to anyone. Especially since there is no shortage of theaters to go to and learn improv. There's the well-known (and very expensive) Second City, UCB, of course LA Connection (our theater), and so on. But how and where it's learned aside, my personal take on becoming a proficient improvisor: perform it.
I know it sounds like baptism by fire - and in a way it is - but rehearsals are nothing compared to the real thing. This isn't sketch comedy where everything is laid out for you and there are no surprises. This is improv, which means EVERYTHING is a surprise. Audiences don't always give you the best "gets", or the most appropriate either. You have to learn how to phrase your "asks" so your audience knows exactly what type of "gets" you are looking for. You have to know that it's okay to tell them in your "ask" that you don't want something, or give examples of things you do want. And if you still don't get something that is appropriate or seemingly workable, then you need to be clever and think outside the box to make it work.
Don't misunderstand me; I'm not saying rehearsals are a waste of time. They are absolutely necessary. Rehearsals are where you fine tune characters or try them out for the first time. They are where a group works together to learn or develop games or tweak and adjust them. Rehearsals allow you to become familiar with the elements of scene work so that you can walk onto that stage confident and capable. Basically, rehearsals teach you the games and their gimmicks - they make you competent but not cultivated; ultimately, the shows teach you how to improvise. If you go to a theater and pay a lot of money simply to learn the games, how will you ever prepare yourself for an audience? Like anything learned, it has to be applied to truly be ingrained and understood.
Contrary to popular opinion, performing improv is not about being funny. It's about being creative. And nothing tests your wits and creativity better than a room full of strangers expecting you to improvise a scene using their suggestion.
As a group, we would be fine performing with just the seven of us. A strong group of seven - six - hell even four, is better than a mediocre group of ten. Unfortunately, SD is being pushed to taking on at least one more performer. But who?
This doesn't seem like it would be that hard of a decision given that we belong to a theater that has an ample amount of talented people. But we don't want just anyone. We want a performer that cares more about the scene than about trying to be funny. We want someone that wants to be challenged and will bring something new to the group. For SD, it's not enough to be funny. We don't want a "show boat". We are looking for someone that WANTS to be in a group, that WANTS to work on their craft, and is WILLING to share the stage.
We're picky, I know. But when we find our prince(ss) charming, it will be perfect. We'll walk along the beach off into the sunset and live happily ever after...or maybe we'll just perform kickass shows.