I clearly remember when George Carlin died.  He was (and still is) one of my comedy idols, and I take great pleasure in not only having met him at a book signing of his book, Brain Droppings, but also having made him laugh at said event.  I related how I used his HBO comedy special, “Doin’ It Again”, as a source for a research project I completed for a Language Differences and Language Change class for my teaching credential.  He was amazed that I got an “A” on the assignment, even remarking that, and I’m quoting him here, “Whenever I used my own shit, I always failed.  Maybe I should have quoted Danny Kaye.”  He then asked if I wanted him to sign the album, in addition to the book (I’m not an idiot – I said “yes”).  In fact, Carlin has quite readily admitted that Kaye was an inspiration of his.

I’ve gotten to meet a few people whose work I admire:  Carlin, Stan Lee, Christopher Titus, Garry Marshall.  Even ran into Kevin Pollack at a swap meet.  Later saw him at a celebrity event, and he gave a hint of recognition to me.  Then again, he may have mistaken me for someone else.

For the most part, the celebrities I’ve met have been friendly and gracious with their time.

There’s also a list of people whose work I not only admire, but also want to meet and work with. 

Monday afternoon, I learned of the death of Robin Williams, someone on that list.  I was a fan of his since “Mork and Mindy” (which was a spin-off from “Happy Days”, the episode of which I also watched -- yes, I’m that old!), and his “Inside the Actor’s Studio” appearance (whereby he performed what amounted to a version of the improv game “Props” with a woman’s pink scarf) had me in stitches.  I wanted to perform improv onstage with him, knowing that I would be left in his dust, serving as mere window dressing near a man with his caliber of talent.  But, I also know I would have learned so much from that experience, emerging as a better improviser.  And, while Williams was another comedy idol of mine, he himself has admitted that he idolized someone as well – Jonathan Winters.

I count myself lucky to be able to share the stage with the members of Split Decision.  They constantly challenge me onstage, making me into a better performer.  I learn a lot performing with them, as they all bring something unique to the table.

I don’t know if I will ever be anyone’s comedy idol.  But, if asked who the influences on my comedy are, I would no doubt have to include the group I perform with on a weekly basis. 

But, don’t tell them I said so.  Let’s just keep it amongst ourselves.

It's the season to give thanks and provide help when others are in need. We actually need a season to set a mandate for kindness - but that's off topic. This will not be a personal commentary on society's humanity. No, this will be a simple message to all comedians: love what you do.

It happens so often that we get wrapped up in what we're doing, where we're performing, who we're performing for, attendance numbers, payment, "making it", etc.; that we lose sight of why most of us even started doing this. We started because it felt good to make others laugh; to bring joy for 15, 20, 30 , 90 minutes at a time. It's not about being loved, it's about releasing the pressure people have on themselves, and in the same action relieving our own pressures for a time.

So I am issuing a challenge: I dare anyone reading this blog to make me laugh. Submit any post you want that will make me laugh. If it's REALLY good, we'll add your submission into our next show somehow. But mainly, this is for the love of the game (or comedy).

Come on comedians. You're on in 3...2...1...?

Having characters is essential to doing improv. They can be high energy, low energy, somewhere in the middle - it really doesn't matter as long as they 1)complement your scene partner(s), and 2) don't interfere with the scene, but enhance it.

Everyone goes about creating a character differently. For some, it starts with the body. Perhaps the character has a certain walk. Does Christian Bale as Batman have a different walk than Christian Bale as Bruce Wayne? He should - because they are different characters. Perhaps the hips or stomach sticks out more or the butt pushes backwards. Maybe the hands don't hang perfectly at the side, swing oddly when walking, or have a particular habit when talking. Are the shoulders up by the ears? Does one sag to the side more? How does the face look? Is it pinched? Saggy? Vacant? Intense? These are all the elements that should be thought of when developing a character for the stage.

Some performers start their character with a voice. Sometimes they use an accent or a different dialect. It shouldn't be anything that is too difficult to understand. How will you do a scene with a partner when they are speaking English and no one has any idea what's coming out of your mouth. Unless you're playing Translator, this can thwart a scene quickly. Voices can also be used by simply changing the pitch of your voice to higher or lower. You can change the volume in which you say things. You can add a slight stutter or even add a nasal-sound. Explore the range of your voice and see what you're capable of. Not every character has to have a foreign accent.

Still, some performers are a little more tactile in their development and will create a character around a prop. What happens if you put on glasses? Does your posture and voice change? A certain belt or jacket? What about adding a cane? Sometimes a prop can help you to envision a character in your mind that you can immediately imitate - but be sure that the prop doesn't hinder your stage work.

You can also pick someone that you know or have observed and imitate them. Naturally, your imitation will become almost a caricature of the person you are thinking. Everything seems a little exaggerated but the character is still based on a real person. The odds are high that someone in the audience has met or knows someone like that character. Remember, it's the reality that makes the mockery funny. If the audience can't relate - if they're not in on the joke, so to speak - then they're not going to get it.

At the end of the day, whatever your process for character creation, the important thing is that you continue to develop who this person is. The look and sound of a character is only half the battle. Making them a plausible person is step two. Create a kind of backstory for them in your mind. This way, you are playing an actual character in a scene and not just yourself with an accent and a jacket.

By Doug Kayne

Improvisation is a team sport. Yes, you can do it by yourself, but it’s much more rewarding with a partner (Yes I’m aware this sentence can also apply to a handful of other activities, no pun intended, but let’s stick with the subject of improvisation
for the purposes of this blog entry).
 
I’ve done stand-up comedy. I keep threatening myself to do it again.  My hat goes off to those who find success at it.  It’s just you and the audience.  One of the things I enjoy about improv the most is that you are a part of a team. When you have a good scene, it’s not about which person has the most laughs, the most lines, or anything that points to the individual’s performance.  It’s about teamwork.
 
Take, for example, the following video clip from our July 26, 2013 show. The game is Rubik’s Revenge.  The players are Chris Clarke and myself (Doug Kayne).  The situation is “The Signing of the Declaration of Independence”. 

There are a few things you should have noticed.  For one, Chris and I received the longest sustained laugh so far by any members of Split Decision after I uttered my first line. What’s interesting, though, is this:  Chris gave me the credit for the laugh,
since it was my line and I got the situation from the audience. I give him the credit, because my line by itself would not have garnered the laughter.  It was his reaction
that sold it.  Those fifteen seconds or so of laughter was the result of the two of us working together to create a situation.  
 
I owe the success of the situation to Chris.  He owes it to me. We owe it to an audience who let us take them on the journey.
 
So, who gets the credit? That’s an easy one:  WE do.
 
And I wouldn’t have it any other way.